Deep Purple – Machine Head
When did you start playing guitar and who is your main influence?
I have two guitar players that influenced me majorly: David Gilmour and Ritchie Blackmore. I started playing at age 14. First song, like many others of our kind, was Smoke On The Water but I then I went more into bluesier stuff like Eric Clapton, J.J. Cale and some singer/songwriters like Paul Simon and Tom Waits.
How did you and Sertab Erener hook up and was it musical to start?
We fell in love while we were making music together. She asked me to produce a demo to present to the great Arif Mardin. We cut 2 songs in about four days. And something happened during that time, I mean there was something before that but studio can be a very dangerous place for potential lovers :) After that we wrote many songs together some of them being big hits. I produced 4 albums for her and some singles, all in a state that I can’t really tell if it’s making love or making music.
One of my favorite things about Chicago Issue the sound; pulling in elements from different styles like rock, electronica, dance and blues.Also, I like the way we combined electronic elements with the played instruments. It’s usually not this seamless but I think we got it on this.
How did you two end up in Chicago? and what do you tell folks back home about the city?
We re-located to Chicago for a musical theater project that we’re composing for. It is a very long-term project so we thought we might as well move here. It’s a beautiful city. I’ve lived in Los Angeles and New York but I think Chicago takes you in more than the others. I believe Chicagoans are very warm, sincere, no b.s. and socially evolved people which makes this city the most livable place for me. We also have a home in Istanbul, which is also a great mega-city. They are both very very different though, which creates a diversity in my cultural soul.
How does the writing process work for you guys?
Do we fight? Of course! :) I think creativity is born out of clashing of differences rather than compliance of equals or the alike. In the end there is only one winner: The Song! If it’s good for the song and the music it does not matter whose idea it is really.
Do you guys perform live with a full band or just as duo?
We have been performing with a full band but now we are moving towards a trio format where two of us will be fronting and one more member controlling the sequences, keyboards and computers. I will also be playing some keyboards and some electronic stuff aside from guitars. Also musically I am more inclined towards the electronics domain because of the freedom it provides in sound. As a composer, there comes a time when the conventional sound and the playability of the known instruments is not enough to put out what’s in there in you. Synths and digital audio opens many doors to new creative ideas and inspirational ground.
You are known for taking musical left hand turns: is it important to your relationship as a couple for the music to evolve?
I think when individuals have the intention to change and evolve, they do with everything else around and related to them, be it the relationships or music. I and Sertab, we both have this intention to change and renew, constantly. Stability is good until it fulfills its use, then you have to know when and how to realize its time for change and which direction to take. It takes hours of meditation, thinking and observing. And of course there are these accidental blessings happening sometimes. All of a sudden you slip and make a mistake which puts you on a track that you’d never think of. That could also be a subconscious decision which you might be perceiving as a mistake, but this is a whole different subject to talk about :)
So few Americans know anything about your homeland, Turkey: is there anything you guys hope most to convey with your music n’ lyrics?
I believe if we plan and do this deliberately, the music will not come out sincere enough. We think our music has the codes in its DNA that belongs to our homeland and whatever we play, sing or compose it’s there. Honestly, when we listened to our EP all through after it was finished you know, objectively, we thought it was western music. This did not last too long because as soon as we’d hear our American friends commenting on it, we realized that it still sounded a little foreign, unique and different, which we believe, is a good thing. Lyrically, we want to maintain a subjective point of view which again would be of two individuals’ from Turkey. So in short, whoever listens to our music will be breathing in the molecules of our homeland, our life-stories, and like I said this is not we want to consciously implement into the songs. I see this as natural cultural evolution because we mix and renew with Chicagoan cultural codes as well.
Should Shakespeare be looking for royalties from you?
:)) The verse lyrics of Why Do You Love Me are based on some love quotes of W. Shakespeare, but they are sung from an opposite point of view. Sertab is singing them to the person who is saying those words. W. Shakespeare, I think he has a way of not using clichés but still making things sound familiar and with full intent. Having studied English literature an humanities in college and being into rock and roll, it’s not possible not to be influenced by the Bard himself and his work.