DEANNA DEVORE

>>>>> How was your disc release show at Schuba’s  for Half & Half, your 3rd release?  It was a super great show! The turn out was really good and so we had lots of energy on stage.
>>>> What is your live format in terms of instrumentation? has that evolved over time?  The live instrumentation is electric guitar/vocals, backup vocals, bass/synth, wurlitzer/synth, live drums/electronic drum pad and a laptop playing some tracks from the recordings. It has evolved over time…I had a hard time over the years recreating the sound of the recordings live and my current live arrangement does just that. I’m really happy with it.

>>>>>> How do you get in the right head-space to perform? do you have a ritual at this point?  Alcohol… kidding. I try not to over think it, because it’s when I do that it causes me to second guess things. I have so much to think about while I perform – between playing guitar, singing, pedals, live looping etc. It’s hard to not get in my head.

>>>>> What’s the biggest high for you:  writing, recording or playing your stuff for an audience?  I’d say the writing/recording process. Playing is great too, but writing is really where my passion lies. When I record, it brings the songs to life, and I like seeing how the song transforms from the bare bones where I started, to the song after production.
Did you have a goal in or specific approach to recording the new songs?  This album is called half and half because it features two different production styles and a spectrum of sound – from electronic to acoustic. Half the songs are more electronic, while the other half are more acoustic. 
>>>> The production on each track is stellar and concise: how do you know when a song is done?  Production is a big part of what I do in the studio since I’m mostly self-produced (some tracks from the new album had additional production, but most of them were produced myself). It depends on the individual song, but sometimes the song goes through different production/directions until I get the right vibe from it. That’s usually the case when it’s a song that was written on guitar and then I end up making it more synthy/electronic in the end. Other times, I know right away what sound I want from the time I’ve written it. Production is fun because it can really make the song come to life.
>>>> With the file sharing as the life blood of social media, and the widening gap between talent and compensation, what drives you to do this? Things have definitely changed over the years, but it’s important to keep up with the times. I just want to get this new music out into the world.
>>>> Today artists are in a way forced to see each tune as an island onto itself that can stand alone as a promotion: do you think of the songs as individual pieces or as part of an overall statement that is the album?  Hmm I’d say both. I think they can stand alone but also be heard in the album as a whole. I had released 3 singles previously, before the album came out, so maybe that’s why I feel that way.
>>>>>> What were the first few albums you picked up as a kid? are they essential to who you have become as an artist?  I remember my first albums as a kid were Ace of Base and Green Day, but I don’t think there’s an overlap there haha. My taste has definitely changed since then.
>>>>> If you envision yourself on stage in an arena sized venue, what role do you think theatrics would play in delivering your music?  I think there could be something cool in a visual component being added to the live sound – especially at such a massive venue. Not saying dancers etc but I mean more in terms of a screen with images being shown, tying in with the music.
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