—- How did you get hooked on rock & roll as a kid? Well, I wasn’t into Rock and Roll I was into Jazz (as my father wanted). I wanted a drum set and he bought me one with conditions that I learned how to play jazz for a couple of years. Then on one Christmas I was like 15 or 16 he bought me Led Zeppelin 4 and Rush’s “All the Worlds a stage”...changed me forever!
—- Who were your top few musical heroes as a kid and why? Gene Krupa, Buddy Rich, John Bonham, Neil Peart, Steve Gadd, Jeff Porcaro, Steve Smith and Stuart Copeland. Because they all played as who they truly are and offered something in drumming to me that I needed and wanted.
—- What was the first record you ever picked up and does it make the playlist still today?Benny Goodman Live in Belgium and yes it would because of sing, sing, sing. (It could be a killer rock song today)
—- Who is your favorite drummer and what is it about their that fascinates you so? I don’t have a pure favorite drummer because they all offer something. But if I had to pick 2 I would choose Bonham and Gadd.
—- What are your three favorite rock drum tracks of all-time? Rush 2112 (The whole thing), Steely Dan, Aja and Led Zeppelin’s “Fool in the Rain”.
— It’s often said that no two drummer are alike — do you believe one drummer can duplicate another’s feel or parts perfectly without technology? No and Technology would make it worse
—- If you got the call tomorrow, what band could you sit in most comfortably with without freaking out too much? I would freak because my chops are not perfect because I have to work for a living. But once I had those screaming I could and would love to play for Seal and/or Peter Gabriel…Possibly Adelle!
—- You’re bit of a drum collector and aficionado — does the brand and year really make that much of difference once you get past materials used etc.. ? I don’t know, for me it is just the sound and feel of the kit. I have many kits from many makers. I LOVE mid-60’s Rogers and Late-60’s / Early-70’s Ludwig!
—- What part of your personality do you think comes through / translates best / helps in your role as a Financial Advisor?Creativity, Technicality and Empathy.
—- You are not sure if you are dreaming but suddenly you are thrown in to a heavenly Moby Dick drum jam with Bonzo and Mooney, a third kit awaits you. How do you approach the sudden rush to join the fray and hold your ground? I see my Craviotto “Big Drum” kit….I honor the masters and hold my ground just fine because …I am prepared and I can play.
When did you realize you enjoyed singing? For as long as I can remember, singing has been something I’m passionate about. If I were to try and pinpoint a starting point, it would probably be one of the many times that I sang through every song in Avril Lavigne’s Let Go album for my parents and their friends (with the TV clicker as my microphone of course).
Who did you grow up listening to? Growing up I was heavily influenced by the music that my parents were listening to, so I’ve always found comfort in artists from the 90’s and early 2000’s like Norah Jones and Sheryl Crow. Billy Joel has also stood out because his song “Vienna” resonated so strongly with me from such an early age.
What was the first song you ever learned to play on guitar and sing at the same time? The first time I picked up a guitar it was with the goal of singing along, so I started teaching myself song by song. I’ve mentioned Sheryl Crow, and her song “The First Cut is the Deepest” was the first one I learned as a surprise for my Mom’s birthday. It was rough to say the least, but she shed a few proud tears so I’d call it a success!
What was the first concert you ever attended and what impression did it leave on you? I’ve been going to concerts since a very young age with my family, but the first one I can really remember was seeing Avril Lavigne when I was probably around 10 years old (the height of my obsession with her). The second she came on stage I started crying, and have cried at almost every concert I’ve attended since. I think it’s a combination of overwhelming admiration for the artists, and a longing to experience what they’re feeling on stage.
Can you describe how the writing process works for you? My writing process is pretty inconsistent. Some of my songs, like “Already Miss You”, I finished in under an hour because I was so emotional at the time and it was really the only way I could find to deal with those feelings. But other times I find myself coming up with a chord progression and the first verse of a song, then hitting a wall and leaving it for a while in hopes that I’m more inspired the next time I work on it. That is definitely the most frustrating thing as a writer; to feel like you’ve had a great start and a song has potential, but you just can’t seem to find where it’s supposed to go. I’ve probably started and abandoned a hundred songs by now.
Do you think living abroad has informed your music, or love of it, in any way? Absolutely! Music has always been a constant in my life. Whenever we moved, it felt like I was starting over, reestablishing who I was each time. My guitar was one of the things that I could always bring with me and be reminded that that piece of me was still there. Having lived in three different countries, I am a strong believer that your surroundings influence your views of the world quite heavily. My experiences have shaped who I am as a person and a songwriter, and intensified the love that I have for music.
As a 19 year-old, what is the most daunting thing to you about embarking on a career in music? The uncertainty is very unnerving to me. I will forever be happy performing for crowds of any size, and sharing my music with whoever will listen. But to earn a living in music, that all has to be on a much grander scale. With so many talented musicians out there it’s unrealistic to just assume that I will become a popular name, so it helps that I focus more on using music for personal expression. It has also been incredibly reassuring to me when fans reach out and tell me how my music has effected them, or how they enjoy it. I am also attending DePaul as a full-time student so that I will have additional opportunities available to me outside of music.
What’s your perspective on shows like The Voice and American Idol? Like many, I grew up watching American Idol, pretending to be a contestant on the show during commercial breaks while my sisters judged. I think those programs have given many singers a lot of hope, and do a great job of inspiring individuals to pursue their dreams. They have also produced a number of great role models and talented professionals. Though at one time in my life I would have loved to be on those shows, currently I am pursuing my music career in a different way. I am hoping that my small population of loyal fans continues to gradually grow so, rather than a quick rise and possible fall, I can be heard for many years to come.
If you could open up for anyone on a Midwest run of dates this Spring who would it be? John Mayer! I absolutely love his music and I respect that his live performances are even better than the recordings (which I didn’t think was even possible). He is incredibly talented and I would love the opportunity to learn from him.
The genie nods: your wish has been granted …in a puff of smoke Bob Dylan appears in your dorm room and you may ask him one question …what say ye? I swear I’ve dreamt about this scenario… Once I regained consciousness from fainting, and the tears had subsided, I would ask him what his favorite decade was for music. And since there is already a genie present… I would then wish to go back in time to that decade with him! – GILLIAN ROSE