REBECCA FRAME w/ ESQUELA

Rebecca FrameHow did Esquela come together?

John ‘Chico’ Finn and Keith Christopher have a long history together. And so, when John wanted to start his own band, it only made sense for Keith to be his partner in crime. While recording Esquela’s first album, “The Owl Has Landed”, I was invited to do some backing vocals. Soon thereafter, Chico asked me to take over lead vocals. Todd Russell, a friend of Chico’s from high school, was a perfect fit on drums for the evolving band. Chico asked me if I would be interested in playing mandolin, which would have tricky since I have never played this instrument.  But, my friend Matt had.  So, enter Matt Woodin. At some point it was evident that we would need a fill in guitar player, since Keith was busy with other projects. Enter Ira McIntosh and Brian Shafer. Early on we had some other players from the city, who were great guys, but it just worked out better for it to be upstaters.

How does the song writing process work for you guys? 

Chico gets inspired by either a funny story from a friend, an article he’s read, or a documentary he has seen, and of course life experience and puts a pen to paper. Sometimes, with the help of Keith, he records a rough draft and sends it my way. I usually stick to the melody he had in mind, but I get to play around with it a little. Later the band gets together and fleshes it out.

 

Esquela has a late 60’s vibe, what’s Esquela about to you?

Does it have a 60’s vibe? That’s cool. Esquela is about getting together and being free to create in whatever way we see fit for each song, and have a good time doing it. Maybe that’s how they did it in the 60’s too.

Do you have a philosophy when it comes to singing and what do you hope to put across personally?

I guess I just want to do justice to the songs. And try to convey the feel as best I can.  I wouldn’t say I have a philosophy, I just love to sing.

Esquela_cover (2)Where can producer Eric Ambel’s influence be heard most on Are We Rolling? versus the debut, The Owl Has Landed?

I can’t really say anything about the Owl. I just showed up at the studio in Oneonta and laid down the vocals and the rest was up to the fellas.  But with are we rolling it was awesome to work with Eric in a more intimate way. He took more of a directive role. He’s smart and kind of sneaky. hahaha. example: Eric knows that I like to belt out songs, which can be a good thing, but sometimes it’s a little much. so for take one he would tell me to give it all I got (just like I like to). then for take two he would ask me to take it easier and softer, which was a little challenging for me because that’s not how I usually “attack” a song. I think we ended up using more of the second takes. They sounded better. He was right. But, he was cool about being right. It was a good learning experience for me. Also, we have a lot of guitar players in the band. Brian, Ira, sometimes Matt…..so I think Eric helped sort out the chaos of who would do what when. Honestly, while they were doing their thing I was bullshitting with Chico and Todd, so who knows what REALLY went down.

What was the first record you ever bought and what’s your favorite thing about it today?

The first album I bought was the Body Guard Soundtrack. I mean, Whitney? come on! she is (was) incredible.  her voice can move you in a way that no one else’s can. simply beautiful and strong.

Who are your musical heroes?

Chico. he just goes for it. I wish I has his courage when it comes to sharing his work.  you want a famous hero? too bad. I stick with my decision.

When did you realize you could actually sing?

Hmmm…when I was in grade school, my friend had a recorder and we sat on my living room floor and sang “This Used To Be My Playground” by Madonna, which is funny because we were soooo young but we were sooo dramatic about it. then we started our make believe band and would use picnic tables as our stage. I guess the dream was there early. but I guess high school was when I found that I actually had some talent for real.

Was there someone early in your life that encouraged you?

I don’t know if encouraged is the right word. influenced works better for me. My father played the piano every night while I was falling asleep, all the women in my family sing, my sister showed me the awesomeness that is classic rock, and also looked the other way when I stole her SWV and En Vogue tapes. My mom would tolerate me playing her Beatles albums over and over…and over again. I had a wonderful teacher in high school who called me ‘songbird’. that’s encouraging….

It’s said singers get better with time; how do you separate the best from the rest? 

I’m not sure if i agree with that totally. i mean, refining your skills, takes work and time, and yes, you get better at it the more comfortable you are with what you are doing. but, when you are starting your musical journey there is so much enthusiasm, and hope, and drive, and passion. and those things can kind of fade. i think what separates the”best” from the rest, are those who can hold onto the passion that they had at the beginning.

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ALYNDA LEE SEGARRA w/ HURRAY FOR THE RIFF RAFF

Does the name ‘Hurray for The Riff Raff’ reflect a personal or band philosophy of sorts?  I would say the name comes from my love and feeling of camaraderie for the underdog of all walks of life. Growing up in New York City exposed me to people who live on the fringes of society and sometimes go unseen yet they have so much unique energy they give the city. The homeless subway singers, the runaway teenagers from middle america, the gender benders, and the Puerto Rican Poets of the lower east side. I felt at home with this lot of folk right away.

Do you have a favorite track on the new release, Look Out Mama?  I’d say my favorite track is “Ode to John and Yoko”, it was really fun to record and mess around with. Andrija Tokic really helped me bring that song to life. I had the song and some ideas but him and Sam Doores had a lot of great ideas about how we could use Beatles-esque recording tricks etc to make it what it is. Dan Cutler is the man when it comes to vocal arrangements, so with the help of the whole team this recording came about and I couldn’t be prouder.

How did the relationship with the HBO show ‘Treme’ come about?  Treme has been awesome about wanting real New Orleans musicians on the show, the crew really respects New Orleans artists and they want us to benefit from the success. I was just lucky enough they decided to use us.

Could you have become the artist you are today had you not run away from home and the Bronx at 17?   I’m sure I’d be an artists of some sort since i’ve been making art since childhood, but I think everyone has a path and a purpose in life and great things come to you when you follow your path. It’s not always easy but it’s rewarding. It was very hard for me to leave and the life was not easy by any means, honestly I wish I could have some of that time back to connect with my family. But it was what I think I needed to do to come to the place I am now mentally and artistically. It brought me to New Orleans and to the musicians who taught me how to play, in that respect I am so grateful I took the plunge and now have this outlet.

Is that when you became ‘riff raff’?  I have always felt like riff raff since I was born. I have always felt a little different than your average bear. My aunt who raised me can attest to that! But being on the road opened my eyes in many ways. There are a lot of people in this country who have no where to call home, they don’t have food to eat. There’s also people who have an extreme amount of wealth. I learned about the privileges I have and don’t have, it taught me that balance more than anything. What I want to fight for and what I want to remember how lucky I am to have. Now I’m trying to make music that I hope will have some kind of positive effect on this country and our world.

How does your Bronx upbringing inform your music today if at all?  The Bronx is a beautiful place to grow up, there’s a lot  of the hard working people there. It’s unpretentious as it gets. These folks are also Riff Raff in my mind, the person who’s just working really hard to raise their family and seems to not be able to get a break. Where I grew up it was a lot of Irish, Puerto Rican and Dominican and Jewish families. A great mix of people. I had some a great best friend who would walk the neighborhood with me. We both grew up with a respect for our elders and a longing for the New York of the 1960’s we heard about in song and stories. We both wanted West Side Story and Doo Wop music. A lot of Puerto Rican artists sang in those groups, gals and guys from the neighborhoods singing on the street corners.  In that way it effected my music very much and that Doo Wop influence is growing. I was just singing on the corners in New Orleans with a banjo.

Do songs just ‘happen’ for you or do you have to work hard on them and build them up over time?  I do both. Sometimes they fall on you from the sky, and sometimes you have to craft them. I just try to follow my inspiration.

What comes first for you; the content? melody? chords?  Most of the time it’s melody, I normally sing something and then pick up the instrument.

What’s your feeling about categories and genre’s when it comes to your music?  I feel like it’s hard for me to pick them, but if someone else wants to go ahead. Just listen to it is what I say! If you want to call it anything, call it folk music.

What are some of your influences growing up and are they still today?   Growing up I loved Judy Garland, Madonna and Marilyn Manson! I was a strange child, I had all sorts of role models. I was also very influenced by the songs on the oldies radio station that I’d listen to with my family. But as I got into middle school I began getting really into the Punk scene. That influenced me too, I loved the energy of the live shows, the political views and the community feeling. Punk led me to American Folk music, old time, Woody Guthrie, traveling songs. Punk music led me to travel and learn songs from people I met on the road.  But it’s more recent that I’ve found John Lennon, Townes Van Zandt, Gillian Welch and Bob Dylan. When I met Sam Doores in New Orleans he introduced me to a lot of music I missed somehow. He taught me about the beauty of a well written song. I loved his appreciation and dedication to songwriting. He became a big influence of me as well, as we all down here in New Orleans inspire and influence each other.