STEVE KARRAS

What are you working on right now and why are you excited about it?  Currently am involved with The Mourners, putting a 2017 spin on Chuck Berry and other beloved Blues and Soul artists and getting people to stop gazing at their navels. Also collaborating with Detroit-based muso and personal heroes Robert Crenshaw (Marshall Crenshaw band) and enlisting the great Don Dixon to produce and play on it. The two played on my 2015 demo Brady Lane.”

Did you grow up with music in your family? There was always good music playing throughout my childhood. Between the 50’s-era fare and a steady flow of great country music – everything from Eddy Arnold to the New Riders of the Purple Sage – my dad liked a lot. Then there my brother’s own evolving musical tastes that included Weather Report, Stanley Clarke, Bob Marley, The Grateful Dead, which really made an impact. My love of new wave and SKA came from my best friend’s older brother Rick Goldman.

Was there a live concert experience that impacted you early on?  Going to Blues Fest in Chicago exposed me to Dr John, Robert Cray, Willie Dixon, Lurie Bell, Lonnie Brooks was terribly important. There’s a toss-up between Los Lobos/Dave Alvin and the 1986 UIC Pavilion show featuring REM and Camper Van Beethoven as my life’s seminal show going experiences. After hearing REM’s first four releases, including the EP “Chronic Town,” I felt part of a movement of indie-minded youth. If you met an REM fan, circa 84, there was an instant mutual admiration society in the making. I was also blown-away by Elvis Costello’s Spike Tour I got to see at Poplar Creek, outside Chicago.

What was your first public performance?  Aside from playing open mics at the University of Wisconsin-Madison, my first professional show (where I got paid) occurred in Chicago at a club called At the Tracks. It went ok but I was far from where I wanted to be. My first bon-a-fide show in a band was with my group Sourball, opening for Living Colour’s front-man Corey Glover.

How do songs come about for you?  For me they come SLOW but they always start with some kind of hook and melody in my head. Thanks to iPhones I quickly record the idea with the voice memo app. The lyrics either come quickly or I go to a note-pad and mine words from the stream of consciousness drivel I regularly jot down.

How do you feel about playing covers and what are your personal go-to’s?  I love covers but ones most would call “deep-cuts” (I hate that phrase almost as much as the word “iconic”). There are amazing tunes out there to snag.

Who are your favorite 3 artists of all-time?  This is tough but I never stray too far from Elvis Costello for his clever word-play and infectious melodies. The same goes for Richard Thompson who is not only my favorite guitarist but tunesmith. Sam Cooke (with or without the Soul Stirrers) hits an emotional place, deep down in my soul. Shit, only 3 artists? There’s a lot more. The Band is probably number 4.

What advice would you give to a young musician seeking a path?  In the words of famed Texas football coach Darrell Royal, “Dance with the one that brung you.”

Are you jazzed about any new artists or releases we should know about?  I really like the Irish artist Hozier. The song “Someone New” has all the great qualities you’d find in Paul Weller and Graham Parker. There’s something about Europeans and the way they can infuse R&B with pop.

You are to put something personal in a time capsule headed for the outer reaches of space — what is your offering for mankind?   Probably Duke Ellington’s Jazz take on the Nutcracker Suite just to show the universe what mankind was capable of creatively and how a descendent of slaves could transcend race with genius.

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