What is your favorite moment on your last record Wrecking Ball at the Concert Hall?
That’s a tough one. The theme of that record is big sounding Americana tracks countered with heartfelt ballads. I think working on “God Fearin’ Man” was a blast, but there were some really tender moments too, especially on songs like “Sometime” and “Sorry Ain’t Enough”.
You’re taking a new approach to your latest release March of Tracks, it must be liberating in some ways and yet daunting in others?
Man, it’s a departure as far as the process of making a record goes. On the last album much of it was tracked live, with the same 5 people. Now I’m using a multitude of players, studios, engineers and gear, and it’s been incredible. I’ve been hand picking my favorite West Coast players for each song that plays to their individual strengths. Being able to focus 100% on one song at a time is so refreshing. There is the ever present and motivating factor of my own self-imposed deadlines (new song released 1st Tues. of every month) which can be a little stressful. But it’s also a response to the demand for single songs- don’t get me wrong, I’m a huge fan of albums and will make more in the traditional way in the future, but this time I want to get my music out there in the most effective way, and have gotten a great response so far. What was daunting was the idea of starting work on a 12 song album that people wouldn’t be able to hear any of for 6 to 9 months. Ah the world of instant gratification!
How’s it going so far; do you already have the future tracks mapped in order?
Right now I do have a rough order, and am trying to be conscious of the tempo and style of each release. I want to be sure to mix it up and not, for example, release all the big up-tempo stuff up front so that all I’m left with is ballads. The other struggle is that any time I’m recording (and I think many artists would agree with this) I hit a creative stride with new material. So who knows, some of the stuff I’m writing right now could still make the record.
When you start writing a song, what comes first for you?
As a guitarist and sideman for years before I starting performing and touring as a lead singer/songwriter, that’s where things usually begin. I’ll find a progression that inspires me in some way, and 90% of the time the feel leads me to the subject matter. That being said, on occasion I do start with a theme and work from that side.
How do you know when a song is done and ready for recording?
That’s a great question, and something I think a lot of songwriters struggle with. As I’ve self-produced most my songs, I usually have a pretty good idea of when they’re ready to track. For songs that I send out to my players I try to give them a decent demo without getting to specific, because I like to allow people to approach their own parts creatively. But working with a producer is also a great way to finish that last 15% of a song, and something I hope to do more of.
What’s the state of rock & roll in California?
I think there’s a ton of amazing music out there, and it never ceases to amaze me how often I discover new incredible bands who are miles from where I live. So from that standpoint it’s as prominent as ever. From the industry side that’s a different story, I think with the internet era, people are less drawn to genres now than they are to good (sometimes not so good), catchy songs. That’s why every 15 year-old has 1000 songs on their iPhone from 1000 different artists. The way we as artists make out living has also changed, with an emphasis on licensing and placements becoming a more the norm.
Is there anything left of San Francisco of the 60’s?
Yes, and they’re all still performing! Every band who had a hit in the 60’s is still doing it, and they’re drawing all the same folks that came to their shows way back when. The boomers are the demo that can consistently afford to go out and see shows. Overall here though there’s a great collective support system in place of local artists, not as dog-eat-dog as other markets I’ve seen. I think it’s a great place to live and to foster your creativity, but I don’t see much opportunity here. I can’t think of many bands who have gotten really huge coming out of SF since Counting Crows or Train.
What were the first 3 records you ever bought and how do they rank today?
I’m not sure if they were the first 3, but I remember getting vinyl of Bob Marley Live, Willie Nelson and The Eagles. All of which still measure up pretty strong compared to the music of the last 30 years
When did you start playing guitar and what was the first song you really got into to the point where you owned it?
I had a couple of false starts. At 7 or so I learned a couple chords, then again at 9 I picked it up again and went through a Bob Dylan songbook and learned “Don’t Think Twice”. I had a pretty good foundation when I kicked into higher gear at 12
By an amazing breakthrough in technology, you are to be awarded a role as a rock & roll deity with an expanded life span of 250 years (congrats) but, as a condition, you are forced to choose between electric or acoustic guitar from here on: would you be able to face the anguish?
That would be tough. I think I’d have to go with the acoustic, because that’s where 80% of the songs I write begin. Even the hardest hitting, slamming electric guitar driven tunes were usually started in my dining room on an acoustic. Also then if I’m still alive and kicking after the next major war or calamity, I won’t have to worry about finding a place to plug into in the post-apocalyptic hellscape! :)